Multi-camera packages
Cinema, broadcast, and ENG camera bodies matched to the show. Hard-cam, handheld, jib, ROV, and PTZ where each earns its angle. Lens choice driven by venue distance and the story being told.
IMG-C-001Mobile · 720×900
02 · Service
Camera & Broadcast.
Multi-camera capture, switching, and signal routing with redundancy at every node.
Principle
Multi-camera capture, switching, and signal routing — built with redundancy at every node. The cut you don't see is the one that worked.
We design for the failure mode first, then the show. Encoders, splits, ISO recorders — every path has a backup that was tested before doors.
Applications
What this looks like in the room.
Live-stream a wedding to family abroad — Instagram Live, YouTube, or a private feed.
Broadcast a corporate AGM or town hall to shareholders, employees, and the public — multiple platforms, one signal.
Multi-camera capture for product launches and brand events — switched live, ISO recorded for post.
IMAG and projection for large-format events — image-magnification calibrated to seat lines.
Hybrid conferences — in-person and remote audiences served from the same production pipeline.
Editorial recording — per-camera ISO files in codecs and formats editors actually want to receive.
Capabilities
Live switching
Production switchers operated by engineers who read the room — cuts respect the music, the pacing, and the programme. Multi-source confidence monitoring on every input.
IMAG and projection
Image magnification calibrated for the audience seat lines. Projection mapped, edge-blended, and color-matched across surfaces.
Streaming and broadcast
Encode pipelines built with redundancy at the network and source layer. Latency budgets known before the show — not discovered during it.
Signal redundancy
Dual-path SDI, IP, and fiber. Fail-over tested under load. The cut you don't see is the one that worked.
ISO and capture
Per-camera ISO recording for post and re-cuts. Captured to the codecs, frame rates, and metadata standards downstream editorial actually wants.
What we provide
Specified to the brief and provisioned for the show — not pulled from a fixed inventory.
Broadcast cameras
ENG · studio cameras · multi-camera packages
Cinema cameras
Film-look bodies · interview rigs · b-roll
PTZ cameras
Remote-operated · pan-tilt-zoom · robotic
Jibs and cranes
Camera jibs · cranes · sliders · gimbals
Production switchers
Vision mixers · live switching · cut/mix/effect
Encoders and streaming
RTMP · SRT · HLS · multi-platform streaming
Recorders and ISO capture
ISO files · multitrack video · field recorders
IMAG and projection
Screens · LED walls · edge-blended projection
Signal routing
SDI · IP video · fiber · redundancy
Scale
Engineered for the cut that worked, not the cut that almost did.
Every signal path has a backup that was tested under load before the audience arrived. The redundancy isn't paperwork — it's the design.
Operating discipline
How a deployment holds up.
01
Design for the failure mode first.
Every camera, every encoder, every routing node has a failover path. The redundancy is built at the design stage and tested under load before doors.
02
Cut philosophy is read, not robotic.
The switcher operator follows the music, the pacing, and the programme. Cuts respect the show. Confidence monitoring on every input, not just the active one.
03
Capture for the editorial downstream.
ISO recording, codecs, frame rates, and metadata standards are decided at the brief stage — matched to what the post team actually edits in.
IMG-C-002Mobile · 720×360
Frequently asked
Common questions about camera & broadcast.
Direct line