Front-of-house design
Key, fill, back, and audience light planned as a single composition. The lighting plot serves the camera and the eye in the room equally.
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03 · Service
Lights.
Lighting designed for the architecture of the room and the architecture of the show.
Principle
Lighting designed for the architecture of the room and the architecture of the show. Programmed to the score. Cued to the second.
Hidden until it lands, then unmissable. Programmed against the run-of-show before doors — not against improvisation during the show.
Applications
What this looks like in the room.
Wedding mandap, sangeet, and reception — color-temperature matched lighting for ceremony, performance, and dance floor.
Live concerts and music tours — moving-head rigs programmed to the score.
Corporate stages, AGMs, and product launches — brand-colored wash with broadcast-ready key.
Awards shows and gala dinners — table wash, audience light, and stage cues coordinated to the run-of-show.
Architectural and venue lighting — permanent installations and event overlays that respect the space.
Festival and outdoor staging — fixtures rated for the load and the weather.
Capabilities
Stage wash and key
Color temperature matched to skin tones and brand. Dimming curves chosen for the camera, not the catalog.
Moving fixtures
Hard- and soft-edge moving heads, wash, beam, and hybrid. Pre-programmed cue stacks tested against the run-of-show before doors.
Console programming
Programmed to the score, cued to the second. Console choice driven by the show, not the inventory.
Truss and rigging
Engineered for venue load tolerances and rigger sign-off. Inspected before flying. No exceptions.
Architectural and wash
Permanent and event lighting that holds at the level of the venue's architecture. Detail in the columns, not just the centerline.
What we provide
Specified to the brief and provisioned for the show — not pulled from a fixed inventory.
Moving heads
Wash · beam · spot · hybrid · profile fixtures
Stage wash and key
Fresnels · PARs · LED panels · soft lights
Hard-edge fixtures
Profiles · ellipsoidals · followspots
LED battens and bars
Strip lights · pixel bars · effect lighting
Lighting consoles
Programming desks · cue control · show files
Truss and rigging
Aluminium truss · ground support · motors · hoists
Haze and atmospherics
Hazers · foggers · low-fog · cracked oil
Architectural lighting
Permanent installations · venue lighting · wash
Scale
The plot doesn't bend. The fixture count does.
Whether the rig is six fixtures or six hundred, the design discipline is the same: composition first, programming second, inspection always before flying.
Operating discipline
How a deployment holds up.
01
Lighting serves the camera and the room equally.
Skin tones, dimming curves, and color temperature are chosen so the lighting reads correctly in person and on broadcast. Neither audience is short-changed.
02
Cues are tested before doors.
Every programmed cue is walked against the run-of-show with the operator who'll run it on the night. No improvisation during the show.
03
Truss is inspected, not assumed.
Load tolerances calculated, rigger sign-off documented, every motor and hoist function-tested before fixtures fly. No exceptions for time pressure.
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Frequently asked
Common questions about lights.
Direct line